Long ago (early 2000s), in a land far, far away (Los Angeles) when I was working on a different project (Star Trek) the idea for a TV show came to me. The family was based, in part and very loosely, on the family from the show, the Huxtables.
Since the theme of family comes up again and again in my work, it’s no surprise that the Huxtables inspired my writing. The series gave us a strong mom and dad who were both successful in the professional world, and managed to translate that success daily on the home front by making their family the priority.
Interestingly enough, when the Cosby Show first came out, some people were blown away by Black American characters who didn’t display any of the stereotypical dysfunction heretofore marketed to TV audiences. The reality of educated, upper middle-class Black American family life had been unseen on prime time. Millions of viewers became fascinated by a typical American family that was once considered The Other.
It’s the concept of Otherness disguised in the packaging of The Everyday that fascinates me.
As with the other family that inspired Blood To Blood, the element of otherness percolating within the framework of day-to-day life (or, as in the case with Dark Shadows, the ordinary percolating within the framework of Strangeness) inspires me to create characters who deal with the same issues we all deal with, but in a slightly “different” context.
Like most families, Angel Brown’s family grapples with the daily challenges of raising children into responsible adults, making good decisions, living a moral life, etc. The fact that they’re witches and blood drinkers is the stuff that makes them different, but it’s the commonality, the connection to all families, that makes them familiar.